PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
DAMAGED GOODS
The New Museum, NYC, Summer 1986
This museum exhibition, the first survey of artists associated with ‘appropriation’ art in the 1980’s, included Barbara Bloom, Gretchen Bender, Andrea Fraser, Jeff Koons, Justen Ladda, Louise Lawler, Ken Lum, Allen McCollum, Haim Steinbach and me. My artist contribution was the design of the exhibition. I collaborated with the artists on the display systems for their work. My design ruptured the ‘white box’ of the museum by combining display techniques borrowed from retail, theatre and natural history museums while simultaneously updating Lizitsky’s Proun space as a more interactive contemporary art space/installation. See Judith Barry, Dissenting Spaces in Greenberg/Ferguson/Nairne, Thinking about Exhibitions, Routledge, London1996.
Exhibition design as my artist contribution to the exhibition, curated by Brian Wallis, The New Museum, NYC, Summer 1986
Related publication:
Dissenting Space, Judith Barry, Download Link
Dissenting Spaces (Public Fantasy), Judith Barry, Download Link
The Exhibitionist, Piper Marshall, Download Link

Installation shot showing Justen Ladda’s and Haim Steinbach’s work

Installation shots showing Jeff Koons, Allen McCollum, Louise Lawler and Gretchen Bender

Installation shots showing Jeff Koons, Allen McCollum, Louise Lawler and Gretchen Bender

Installation shots showing Jeff Koons, Allen McCollum, Louise Lawler and Gretchen Bender