The promise of the glass building as transparent skin and reflective space became a site to interrogate notions of subjectivity as an architecture of representation and exclusion re-figured through the myth of Echo & Narcissus. Commissioned by MoMA, NYC for Cesar Pelli’s building (now demolished) each image presented a conundrum. These loops show lost men, quite literally reflecting on their lives while attempting to negotiate or escape from impossible spaces such as the ubiquitous ‘infinity’ chamber bathroom, a swimming pool, a Japanese garden and an elevator. In the end, it is only Echo’s voice that remains.