PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
PROJECTS:
For when all that was read was … so as not to be unknown, 2012 Link
…cairo stories, 2011 Link
From Receiver to Remote... Channeling Spain, 2010 Link
study for the mirror and garden. redux 2007
border stories, working title, from one place to another
voice off
speedflesh
consigned to border: the terror and possibilities in the things not seen
the hunt for language
FROM RECEIVER TO REMOTE: THE TELEVISION SET
The New Museum
Curator: Mathew Geller
Exhibition design in collaboration with Ken Saylor
New York City, 1990
In a series of 20 period rooms with period TV programming, this exhibition traced how television transformed the home from a site of production into one of consumption: the ‘50’s notions of ‘home theater’; the ‘easy living’ implied by labor saving appliances; the ‘60’s as the only moment when television was overtly political from Civil Rights activism to the Vietnam War; the ‘70’s
and the proliferation of technologies with portable color TV and cable; the ‘80’s and the potential for a return to production in the form of the home computer.
Exhibition design. Collaboration with Ken Saylor
Curator: Mathew Geller
The New Museum, NYC 1990
Related publications:
Brooklyn Rail, Judith Barry, Download Link

Installation view of ‘all the channels in NYC’ circa 1990

Installation view of kitchens circa 1955 -1965

Installation view of counter culture bedroom circa 1970

Installation view of television time line with 1950 living room in foreground