

The Pleasure of Looking. Judith Barry – Martha Rosler.
Museum of Moderne Salzburg in Generali Foundation Collection.
Casual Shopper (1980–81) by Judith Barry and Martha Rosler Reads Vogue (1982) by Martha Rosler.


Topologies of the Real Techne Shenzhen 2025
These 120 works by 130 artists provide a rare opportunity to experience the breadth of art and technology...


Judith Barry in Conversation with Joan Jonas
Join us for a conversation between ACT Professor Judith Barry and ACT Professor Emerita Joan Jonas. Among other things, they will discuss...


As Part of Lines of DistributionTwo Moon July: Screening and Panel Discussion with Judith Barry, Johanna Fateman, and Kit Fitzgerald
Two Moon July documents a dramatized day-in-the-life of The Kitchen, portraying the institution’s signature range of activities spanning...


Judith Barry at INSITE
This conversation on November 9, 2024 will focus on architectural projects, theories, and practices that challenged social experimentation


The language of cinema and the space that art makes at MUMOK Cinema, Vienna. Program by Judith Barry
The program shows a selection of media works by artist and writer Judith Barry, including early single-channel videos and installations.


Tribute to Judith Barry
In its twentieth edition, the Athens Digital Arts Festival, honoring its roots and identity, pays tribute to the pioneering women...


Judith Barry included in WOMEN at Nicole Klagsbrun Gallery, New York City
Since 2018, the number of people displaced from their homes worldwide has grown by 4%. The banner was based on drone shots of refugees fleei


Judith Barry’s The Work of the Forest at CIVA Brussels
The exhibition, Style Congo: Heritage and Heresy, explores the politics of cultural representation and appropriation through contemporary a


Judith Barry in Topologies of the Real at Techne Shenzhen
Judith Barry recently presented her work, Model for Stage and Screen (1987), in the Topologies of the Real, Techne Shenzhen 2023 exhibition


Remembering Orchard, New York’s Iconic Artist-Run Gallery, Frieze Magazine, April 26th 2023, Issue 235
In a wide-ranging oral history, members of the space recall its astonishing – and sometimes contentious – three years


Judith Barry in Style Congo: Heritage and Heresy
The works in the exhibition question and destabilize canonical histories and the colonial roots of this heritage. By examining marks of colo







